M. David Frost - Writer, Editor & Translator


1 – The House on the Hill

 

The bright red jeep – a relic of World War Two, opened-topped and hand-painted – bounced and swayed up the steep, stony mountain track, brushing past stunted trees and clumps of herbs, which gave out whiffs of scent as they were disturbed.

Perched near the summit of a craggy hill was the house that we were heading for – white, single-storied, the orangey-red tiled roof sloping down to a flat terrace at one end, with steps leading up from ground level.

My possessions were piled high in a suitcase and assorted boxes and bags, and I was precariously balanced on the spare wheel, behind the driver. I tried to keep everything in place with one hand and myself with the other, at the same time risking a glance back at the blue Mediterranean far down below. My wife sat in front, next to the driver. I’m going to call her Becky, although that isn’t her name. Her long black hair glistened in the sun. She was slim and attractive, ten years younger than me, and often taken for a Spaniard. I never was then, with my shoulder-length hair and faintly bohemian although unmistakeably English appearance.

On the scrubby hillside on either side of the track were dusty cars in various stages of disintegration, four in all, looking abandoned rather than parked. This, I was later to learn, was almost invariably an indication that an expatriate resident lived close by. Sure enough, all of them had British licence plates, strictly illegal if they had been there as long as it seemed they had.

None of the cars looked as though it would ever move again, but I knew that the one parked in the desultory shade of a withered tree could be coaxed into life by pushing it down the slope and then jumping in when the engine coughed itself awake, because I had seen it done. The trick was to run alongside the vehicle being careful not to get left behind, scrambling into the driver’s seat at the very last moment, just before the car careered off down to the main road on its own.

The town was out of sight, over the crest of the hill, though from the patio the view was spectacular enough: a wooded valley surrounded on three sides by looming mountains, outcrops of pale rock, isolated white houses dotted here and there, and the road far below snaking up from the coast with the odd slowly-moving car looking like a lethargic ant.

After a lightning visit to the house to leave my possessions I offered to buy a thank-you drink in the town for bringing me, despite the fact that I had topped up the tank at a service station on the way. So we clambered back into the jeep and headed back down the track to the main road, although it was a main road only by mountain standards, petering off to dirt at its irregular borders, full of potholes, and with no barrier to stop us from plunging down the ravine if we took a bend too quickly, or had to swerve in a hurry to miss an oncoming car.

I held my breath until we had negotiated the final bend safely and there spread out in front of us was the town, a jumble of white houses, flat-topped or with faded-red roofs, stretching down the hillside nearest to us and up another one. Most were from two to four storeys high, although a few had an extra floor. A grey stone church, its slim tower topped off with a red pointed roof, was perched on the summit of a wooded hill at the far edge of the town. Beyond were parched fields stretching into the distance and then dark mountains and behind the mountains more mountains.

The panorama produced a little contraction of pleasure in my stomach, just as it had the first time I saw it.

  
 

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